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Why Aren’t There Any Blue Dog Plush Dolls?

Posted on January 8, 2013January 8, 2013 by Varg

After five years of working alongside, being associated with and thankfully developing friendships with visual artists, and since I avoided art school where perhaps a lot of this comes from, I find myself a bit vexed by a certain impulse I’ve noticed in them from time to time: Many deeply want to commodify their work, desperately want to…

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New Year’s Day Sermon 2013

Posted on January 1, 2013July 15, 2015 by Varg
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The Case Against The Case Against Beasts of the Southern Wild

Posted on December 29, 2012December 29, 2012 by Varg

Beast of the Southern Wild review making the rounds in my social networks… The Case Against ‘Beasts of the Southern Wild’ by Vince Mancini If this is the case against the film, I’m not sure it’s going to get past the grand jury. That reviewer admits the cinematography, score, locations and imagery in the film…

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O’ Chicory, My Chicory

Posted on December 19, 2012 by Varg

Everyone has their voice. It’s always there. It’s processed through five senses into your mind and then assembled into ideas and then deposited out through those same five senses. Think of conveyor belts bringing goods into the factory of your mind through your hands, eyes ears, nose and mouth and a different set of belts bringing repackaged goods out…

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Dear Mayor Landrieu and Councilmember Palmer…

Posted on November 8, 2012 by Varg

Dear Mayor Landrieu and Councilmember Palmer, Please allow me to applaud you on your recent efforts to address the growing health and safety issues on Jackson Square. Our city’s “old square” is a rich symbol of its cultural identity and deserves the critical attention being given to it by city officials. It is as relevant now as…

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Varg Gras 2012 Commemorative Drawing!

Posted on November 6, 2012November 6, 2012 by Varg

By the magnificent Katie Lease!

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Review of Marigny Brassiere on Halloween Night Or: ‘Nothing Gold Can Stay’

Posted on November 2, 2012November 2, 2012 by Varg

My night could have gone either way before stepping into Marigny Brassierre on Oct. 31, 2012. After stepping out, there was no saving it. I couldn’t wash the feel of it from my being. We are all aware of the increasing commodification of Frenchmen Street and the Marigny neighborhood. I loathe what it is becoming….

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Smells Like Cultural Commodification

Posted on October 8, 2012 by Varg

I knew as soon as I saw the ladies with ostrich feathers on their heads along side two Mardi Gras Indians that I was about to witness some cultural commodification…

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Romy Kaye Killer Chili

Posted on October 2, 2012October 8, 2012 by Varg

My wife’s Chili recipe up in here, up in HERE… Ingredients: · 3-4 Spanish onions, peeled and finely chopped (about 3 cups) · 1 bunch of cilantro, coarsely chopped, stems included · entire head of garlic, peeled and chopped fine · 2 jalapeño peppers, stemmed, de-seeded and minced · 1 large green bell pepper, stemmed,…

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Continuing The Conversation on Culture, Community and Commodity

Posted on September 24, 2012September 25, 2012 by Varg

UPDATE: Jason Berry has uploaded the Culture or Commodity video which greatly helps put this post in context. The phrase used was “find a way.” I wonder how many artists get lost while “finding a way?” Also, while everyone did a very good job on the panel I want to single out Deb Cotton and…

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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