How Did I Miss This?

Posted on September 22, 2009 by Varg

How did I miss this in ’06? Must have been all that “working in a hotel after the flood” stuff. Anyway, Where yat this go ’round Kim?

Crazy NOLA mayoral candidate doctors Disneyland photo – again

A bizarre NOLA mayoral candidate has been caught doctoring photos of herself standing in Disneyland. For the second time.

Kimberly Williamson Butler is the crazy New Orleans mayoral candidate who got busted for using a campaign photo of herself standing in what appeared to be the French Quarter, but which was revealed to be the New Orleans Square at Disneyland. The telltale was that the Disneyland trash-can was visible in the picture.

So Butler’s campaign has “fixed” the photo — they took out the trashcan, after getting threats from Disney’s lawyers.

1 thought on “How Did I Miss This?”

rickacrossdariver says:

September 22, 2009 at 8:25 pm

i was so pissed off.

during the election she had a huge ass sign with that shit on gentilly blvd.

i kept telling my self this would look awesome on my wall of shame in my mancave=garage.

stayed up all saturday night drinking and watching the results.

when i went out monday morning it was gone.

p.s. all my tomatoes , pole beans , and every thing else i grow on a trellis climbs on recycled wood stakes from elections.

i have since learned to harvest on a sunday instead of monday.

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Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.