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Post-Intelligencer Print Edition Goes Bye-Bye…

Posted on March 16, 2009 by Varg

Seattle P-I to publish last edition Tuesday

…and word is the Seattle Times is not far behind. The failure of the Times print edition would leave Seattle without a major daily paper.

What is interesting is how many resources the P-I can put into their Web site. Eliminating delivery and paper and ink frees up an immense portion of the paper’s…ahem, news organization’s budget. What they could do is enlist a ton of bloggers to comment on neighborhoods. Retain their reporters and editors to coordinate Web content spend more time doing investigative journalism and pursuing leads. They might also use their new format to hire some flash animators and a few filmmakers to perhaps garner some more advertising dollars with short, ten-second commercials.

The collapse of their print edition is indeed an unfortunate thing but they may also be in a unique position to show how well a major paper can make the paperless transition. And Seattle seems like a great city to try it out.

4 thoughts on “Post-Intelligencer Print Edition Goes Bye-Bye…”

  1. Kevin says:
    March 16, 2009 at 3:55 pm

    I think San Francisco is in bigger merde than Seattle, newspaper-wise…the P-I was always the #2 paper, and the Seattle Times will be picking up some of their eyeballs and their advertisers.

    But the SF Chronicle is that city’s #1 paper and it’s hemorrhaging money. I think San Francisco stands a sad chance of being the country’s first major city without a daily paper.

  2. Varg says:
    March 16, 2009 at 6:30 pm

    At least both those cities are wired which certainly contributed to the demise of their daily prints. Now, let’s see how long the Laramie Boomerang or the Plain Dealer survive.

  3. pistolette says:
    March 17, 2009 at 5:58 am

    I got both the ST and PI delivered to me when I lived there and they were pretty crappy. Besides, most people in Seattle are glued to their laptops/smartphones anyway so it makes sense they would not need a print edition. Not sad. Things change!

  4. jeffrey says:
    March 17, 2009 at 9:55 am

    Surely not everyone in Seattle or San Fran is, “wired” in such a way that assures us the information needs of the population will be served just as well by an exclusively electronic news service as it is by print.

    What good is quality news and information if is available only to a narrow and isolated social caste?

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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