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“The Recovery”

Posted on March 3, 2009 by Varg

It’s been in my head for a while now and I haven’t exactly figured out how to present the notion. It’s been in there half-baked. So I think I’m just going to try it stream-of-consciousness style…

I’m sick of “the recovery.” I understand the aftermath of the flood is going to last for a long time. Maybe ten years. I understand it should be moving faster than it should. I understand some think “the recovery” is a necessary phrase. It was. I just hate hearing it now. I especially hate seeing it on signs in front of buildings that look like they are far from recovering.

I know one reason I loathe the word is because like “The War On Terror” it is used as a tool for, well, a lot. People are hurting the recovery, people are aiding the recovery, the recovery is being jump started, the recovery is being stalled. I wonder how many years are going to pass before “the recovery” becomes just the way it is.

And maybe my problem with “the recovery” is that it doesn’t imply things will be better. It just states we will be recovered and that would simply be like things were before the storm. And though it might be perceived things were fantastic then, they really weren’t.

And hey, maybe it’s because three and a half years have gone by and we are still talking about how to proceed with “the recovery.” This suggests “the recovery” hasn’t even started yet.

My ire may actually be about the signs. I think the signs are what’s really led me to hate “the recovery.” There are three up in front of Arthur Mundy up the street. One stating, “Our Recovery in Progress” and two more blank boards presumably to be completed once “the recovery” is.

Perhaps we could start calling it “the botched recovery” or “our ongoing rebirth” or “the remaining days in the Nagin administration.” Just so long as “the recovery” undergoes some sort of transmogrification.

I suppose it doesn’t help that folks lives are flourishing all around me. All the people on my block were effected by the Katrina and whether they are rich or poor, they have resumed their lives. I understand schools and hospitals are still struggling in the city and they are certainly part of “the recovery” but let’s just call that the “recovery of health care” or “the recovery of education.” This blanket term, “the recovery” seems like a poor representation of what’s going on and since no one who should be leading the recovery is actually doing so, “the recovery” sits out there like a blank canvass for anyone to use for their own means.

Some tourists approached me in the Quarter the other day asking how to get to the Ninth Ward. I put them on St. Claude sent them over the Industrial Canal. Even though I know it’s all slabs and stoops to nowhere, I told them to go check out “the recovery.” Even when applied to an area that indeed needs to recover, “the recovery” doesn’t apply.

4 thoughts on ““The Recovery””

  1. pistolette says:
    March 3, 2009 at 9:14 am

    “Recovery” is just a term politicians use to scare and control people. Most of the real progress being made is Nola is by individuals and private organizations. The government, on a all levels, has failed us. All I want from the feds are those damn levees, but the rest we can, and *should* do on our own – the way we have been for the last 3+ years.

  2. Peris says:
    March 9, 2009 at 12:31 pm

    So what’s the current guess as to Nagin’s chance of getting reelected? Who’s likely to run against him this time?

    As a prospective resident from Chicago, I’d like to think we’d get a net improvement in the area of mayoral numbskullery by moving.

  3. Stephen Rea says:
    March 10, 2009 at 8:18 pm

    Hi there,

    I just wanted to tell you about my book which has just come out Finn McCool’s Football Club – The Birth, Death, and Resurrection of a Pub Soccer Team in the City of the Dead.

    It deals with an Irish bar in Mid-City and the lives of the regulars before, during, and after Katrina.

    As someone who blogs on life in New Orleans, I thought you may be interested in how a “foreign” local interprets what goes on in the city.

    Last week the Times Picayune carried an article on the book:

    http://blog.nola.com/anguslind/2009/03/finn_mccools_football_club_chr.html

    Thanks for your time!

    Stephen Rea

  4. Loye says:
    March 11, 2009 at 10:53 pm

    @Peris, Nagin is on his second term (New Orleans has a two term limit), so he won’t be running for reelection.

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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