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Barbarians at the Gate

Posted on November 19, 2006 by Varg

Barbarian at the Gate

I just finished a search for any plans that may be underway for coastal restoration in Louisiana. I’ve heard talk but wanted something visual. Like a pretty drawing or something magical and innovative that would inspire me.

I didn’t find anything. Perhaps more time.

The sad thing is that, from what I have gathered speaking to people and reading on the Internet, many think it’s not a matter of IF we could protect South Louisiana from future storm surges, but SHOULD we. And the “should” addresses the simple matter of cost.

Cost.

So it comes down to capitalism. Good to know that prudent spending trumps ego in the minds of constricted thinkers. We could have the greatest flood protection system in the world but [whiney voice] It’s too expensive! [whiney voice].

I’ve heard everything from “let it sink,” to “is it worth saving?” to “leave.” Nobody questions IF our home can be saved, it always comes down to a question of worth. And it’s these motherfuckers that really infuriate me. They are the barbarians at the gate. The way I see it, these opinions are a direct threat to me and my loved ones. My neighborhood and my home. As much as a terrorist or a mugger or a crooked politician. Some dumbass in another part of the country who couldn’t give two shits about New Orleans is fine. But if said dumbass wants to write a letter to a newspaper or tell some reporter or post on a message board that he doesn’t think New Orleans should be saved and he doesn’t want his tax money spent on our safety, then I consider him to be a threat to myself and my loved ones. They can choose to put themself out there or they can STFU.

And in the end, I hate to say it. It may come down to simple racism. Or at the very least classism. I don’t believe in playing the “ism” very often because I think it’s way overused and often is just a tool implemented to get somebody something they want. But it seems to me, in this case, it’s appropriate. People only see South Louisiana as crazy Cajuns living in swamp shacks or black folks on welfare living in projects or spaced out artist types riding vintage bikes around the French Quarter. These are false impressions that are perpetuated over and over again because once people see something that they accept as the truth, they never want to see anything that questions that truth. Multitudes are too much for their minds to bear. Tiny devices inside their heads become trained to see things in only one way. So when New Orleans is brought to mind, instantly pictures of boobs, beads and beer flash inside their heads. Toothless Cajun men in straw hats who can’t speak and gutter punks collecting dogs and spare change follow. Like all generalizations, these are inaccurate. The homeowners and renovators and mid-level managers and professionals and salesmen, hospitality workers and medical students and shipping executives and honest contractors and all the other good people in the area are left out of the equation altogether, even though they make up the vast majority of the populace.

Hey, everyone’s entitled to their opinion right? Yea, they are entitled to it. But when they go around posting it on the Internet or writing about it in newspapers then it becomes more than just an opinion. Then it becomes a notion they are trying to spread. And then they become a threat. I’m not losing my mind here. I’m not going to go on a rampage. I’m just stating that, when faced with people who aim to destroy my home through inaction, I will engage them as I would any other threat. I’m sorry if this sounds like I am acting in some macho aggressive shithead manner but the emotions that boil up inside of me when people talk shit about New Orleans are akin to the same thoughts that effect those Toby Keith-types when people run down America. I never thought I would have anything in common with those folks. And to be honest it may very well be those folks who are the ones who I’m talking about. They want to defend America but not New Orleans. They want to spend money in the Middle East but not South Louisiana. It fucking sucks.

My, my. What a potty mouth. On a Sunday no less.

3 thoughts on “Barbarians at the Gate”

  1. judyb says:
    November 20, 2006 at 3:13 pm

    I agree wholeheartedly!

  2. ashley says:
    November 26, 2006 at 7:57 pm

    Welcome. And don’t worry about that potty mouth thing… ;^)

  3. Pingback: The Chicory - Lost in Leveeland

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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