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Obama Smoked Weed, Romney Supports Lying To Kids

Posted on November 27, 2007 by Varg

Was Obama’s answer about drug use too honest?

Because for heaven’s sake we don’t want honesty in government officials. We want to keep that eggshell-thin facade of righteousness intact and not let any of the soft gooey truth to shoot out. Even though it often does with volcanic results.

I don’t care if Obama smoked weed. I actually prefer that he did. It gives him a bit more insight into what weed is and how dangerous it is or isn’t. It doesn’t matter what side a person falls on in regards to the smoking of weed, the person who has actually smoked it and experience its effects will always approach the subject with more knowledge than one who has not.

The best part of the story however, is when Mitt Romney enters the discussion and says:

“I think in order to leave the best possible example for our kids, we’re probably wisest not to talk about our own indiscretions in great detail,” Romney said.

This is what tends to upset me. When truth is shrouded and then regurgitated like a mother bird offering food to scaly chicks. Once people in power start coming up with reasons to disguise the truth for better of other unwilling groups, the system is set in motion and who knows when it will stop. We can’t tell you that for your own good. I’ll make vague references to my drug use for your own good. I’ll allude to coups I have arranged but won’t make it public for the sake of national security.

Steve Pasierb, president of Partnership for a Drug-Free America gets it right later in the article:

“The key is to be honest and to put it the context of saying I did this and it was a dumb choice,” Pasierb said. “Obama talked about how it wasn’t the right thing to do. When he got serious about his life, he left it behind. If he were to lie, I think most kids would know.”

Dear government,

Kids know when you lie. Citizens know when you lie.

Varg

2 thoughts on “Obama Smoked Weed, Romney Supports Lying To Kids”

  1. Alex says:
    November 27, 2007 at 11:15 pm

    Even Pasierb’s “dumb choice” comment could be left out as far as I’m concerned. Granted, it may be an overly complex concept for many people–I tried it, I liked it while I was into it and I’m not into it any more–but some of us are ready and know from experience that a hallmark of the human condition is Change.

  2. Marco says:
    November 29, 2007 at 8:25 am

    Louis Armstrong toked most everyday and look where he wound up.

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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