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La Jolla and New Orleans: A Quick Comparison & Contrast

Posted on October 5, 2007 by Varg

‘Slow avalanche’ gobbles road, homes in San Diego

For a few years, I used to write and edit La Jolla Light newspaper in La Jolla, California. So of you may know La Jolla for its enchanted coast and some of you may know it because of a recent massive sinkhole that damaged a road and several homes a few days ago.

I spent a lot of time in La Jolla, five days a week for four or so years. Like New Orleans, it’s a culturally rich community composed of artists, writers, musicians, surfers, chefs and liberal arts professors from the nearby University of California San Diego. Unlike New Orleans, it’s also a financially rich community composed of biotechnology executives, media executives, real estate agents, brokers, Fortune 500 CEOs and administrators from the nearby University of California San Diego.

There are aspects of La Jolla that are about as far away from New Orleans as I could ever imagine a place being. The homes sell for minimums of $1 million. They have a top-ranking public high school with an Olympic-size swimming pool and a pretty good water polo team. There have been only a handful of murders over the last few years. They just opened a fantastic new library in addition to the private art library that has been open for years. There is a world renowned college, modern art museum and playhouse.

La Jollans and New Orleanians share certain traits. Both groups of people share a fabric within their residents that is strongly opposed to developers moving in and fouling up a culture they have tried to preserve. Historic homes are protected, ordinances are passed.

They know they have something special and we do as well.

When I worked at the paper, our “hard news” was often about the height of new public restrooms or the ongoing saga of what to do with two dozen or so marine mammals who took up residence at a favorite beach. this is a far cry from a breaking story about five teen-agers killed in an SUV or a mother killed in front of her toddler by an intruder.

Now, New Orleans and La Jolla have something else in common, a disaster that has destroyed homes. It goes without saying that the scale of the disasters are no comparison.

But for the sake of this argument, let us simply compare the fact that homes were built in New Orleans’ cypress swamps and La Jolla’s collapse-prone Mt. Soledad both in seeming defiance of nature.

Earlier today, the LA Times posted a story stating the La Jollans were ready to rebuild. I applaud them for that. I want them to rebuild. They have a beautiful culture there and it is truly a gemstone in San Diego culture.

New Orleans is a gemstone too.

Now, the questions I have regarding these two events are simple:

– Will pundits speak out against the rebuilding of homes on Mt. Soledad?

– Will people dismiss the event based on the premise that homes should never have been built there to begin with?

– Will people say the La Jollans who lost their homes ‘deserved it for living there’?

– Will San Diego Mayor Jerry Sanders’ appeal to Gov. Schwarzenegger and President Bush for disaster funds be viewed as the city “looking for a hand-out?”

– Should residents be forced to move from homes that have a possibility of being damaged or destroyed in landslides?

I hope for the sake of the La Jollans that the answer to all those questions is no.

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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