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O’ Cypress, Beautiful Cypress

Posted on October 16, 2013October 16, 2013 by Varg

This summer past… wait, is Summer over yet? Let me rephrase. This past August, I stopped working in yellow pine. Just plain yellow pine and plywood and all construction-grade wood that really is in abundance, I stopped salvaging it and stopped using it in my work. This is the stuff you get at Home Depot or any manufactured lumber store. It’s young wood, very easy to use, versatile. The plywood in particular was very useful because large shapes like these angels could all be cut out of one piece. Yellow pine can be used used for lucrative pieces of art that really stand out on a wall.

Yellow pine is a great return on investment also. A single 5′ 2×4 could yield a dozen or so pinehead sculptures and they sold on Jackson Square for $30. And these 2x4s are laying around everywhere. They stick out of dumpsters, sit on the side of the road, take up space in people’s sheds. Make a conscious effort to note every time you see a useless 2×4 and you’ll know what I mean. Yellow pine is great stuff for a salvaged wood artist. It’s the same stuff people build houses with except at some point its status has been transformed from “construction materials” to “salvaged wood” simply by it being left, abandoned or tossed out. So one can easily see how useful and abundant it is.

So, I’m not going to use it anymore.

There are a few reasons for this.

One is that I am trying to stand out a little further from the growing number of slavaged wood artists around New Orleans and the rest of the country. Let’s be honest, salvage works two ways. It saves the artists money on materials and gives the buyer a reason to buy since they become less of a mindless consumer and more of contributor to recycling. Win /win for both. So many artists are now doing it and that is a good thing for the world.

For particular artists however, it just washes out their particular appeal a little bit more. Comes with the territory. The Universe giveth and taketh away. Artists needs to do something to make themselves stand out other than the salvage, generally related to the content of the pieces. I certainly try to do that as much as possible and my being a bit of a twisted fuck has certainly helped. But I wanted to do something more.

So this is where the switch comes in. In less abundance around New Orleans is the very beautiful swamp wood cypress and its antique counterpart heart pine. These woods are special in a few ways.

Firstly because of their age. Growth rings within them almost always reveal a few centuries of growth. Customers who buy them often don’t realize they just bought the oldest thing they may ever own. Also, they are beautiful. Both cypress and heart pine have amazing textures and colors that transcend yellow pine. Third, they used to be houses. It’s not like these pieces of wood were just leftover from some job site. These were actually in New Orleans housing stock and usually functioned in a home for 100 years in addition to the two or three centuries they grew as a tree. The genesis of the piece really began before the Untied States was even a country. I love that and it’s easier to sell to people also.

Cypress and heart pine is indeed more difficult to find though. But I don’t mind that so much. It gives me a reason to hunt for it. I live in Algiers Point, one of New Orleans oldest ‘hoods. Renovations happen. A lot of the cypress I am using right now cam from my own renovation. But still, there is a certain thrill to the hunt. And clients like to think of me bumping around New Orleans in a truck collecting the stuff.

But, my oh my, is it fun to work with. Cypress cuts easy, smells great and leaves a fine, fine sawdust. Heartpine fights you the whole way, dulls your blades, has knots that seems impossible to saw through. It’s ornery but it is strong. I love it for that.

Clients like it also. I have displayed it on the Square for a few weeks now and they are responding to it. Paying full price and recognizing its beauty. Which is nice.

So from now on. Only antique woods, rarer woods and found objects. No more plywood or yellow pine. If you have a piece that contains this stuff, congratulations. You have a bit of a collectors item.

Some pieces using all cypress are below..

2013-10-12 13.12.21

2013-10-12 13.12.06

2013-10-12 11.19.48

2013-10-12 13.13.21

2013-10-04 10.23.23

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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