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On ‘betty and the black dog’

Posted on January 30, 2013January 30, 2013 by Varg
'Betty and the black dog' by Varg Vargas on salvaged Indian wooden cabinet door, spray paint and found objects.

A few times a year, for no emotional reason, out of nowhere, I get depressed. My “medicine man” theory is that it is tied into my gut and there is certainly some science to back that up. My genetic bad stomach is often acting up around the same time the depression shows up and the chemical difference along with the symptoms of the tummy trouble generates the glum. Again, just my theory.

Winston Churchill called his bouts with depression, his “black dog” and though it wasn’t he who originated it (Wikipedia credits his childhood nanny), his use of it helped spread the metaphor. It seems to me the use of the black dog probably sprang from British folk lore in which black dogs were used to symbolize more than anything else, apparitions and death. Both metaphors are apt. The ghost symbol fits because the condition seems to be controlled by something else, something unseen and beyond control. The death symbol fits because life seems not worth living. More on the latter a few paragraphs down.

During my unfortunate descents into chemical depression, I am allowed by the Universe to walk around in the skin of a person who can’t just “snap out of” their mood by going on a roller coaster ride or for a long walk on the levee or buying a pair of boots.

It’s pretty terrifying.

The most disheartening aspect of the black dog is the immediate awareness of it upon waking. In the first few moments of the morning (or early afternoon), I know it’s there. It’s not a physical feeling like a headache or a sore throat. It’s not within my five senses. I feel it, but not on my skin. It’s a presence, like something pressing down on me. This is a pretty accurate image.

I call the first few minutes of any day my “coming to terms.” Overnight, I have departed this Universe and ventured out into the ethereal and, upon waking, returned again. In that first 15 minutes, the Universe is recreated again and I sort through what has been unsorted. Is it all the same? What’s different? Where will I go. What will I do? What has happened? For the depressed person, this space is occupied by the black dog convincing them that getting out of bed would be the worst thing they could possibly do. There is defeat from the onset.

So they eventually rise and the black dog follows. They walk around with what I call “the filter.” A mask over everything that makes it all shit. A very dangerous, utterly uncondensed philosophy that consumes everything. All colors are desaturated. All enthusiasm is unwarranted. It’s all a cliche. Everything is finite and meaningless. Songs ring flat. Supper can’t be indulged. Company is a hardship, awkward. Relationships strained. Most bitterly for me, I see the Earth is as it will inevitably will be, a lifeless ashen rock. Then, just behind the bright faces of my friends and family are the images of their fetid, rotting corpses. Children are not the hopeful energetic inspirations but rather wheelchair bound and broken.

And this is everywhere. The black dog is a loyal dog. It follows.

Gratefully, I am only visited by it perhaps twice a year, sometimes less and never for very long. Whatever brings it, takes it away and I have not been able to conjure up why it enters or leaves. Some suggest probiotics will balance out the production of serotonin in my lower GI tract. Imagine that. I swallow little sprites that I go into my gut and fix my soul. Our Universe is so folk. We think sometime sit isn’t but it is.

There are so many others for whom the black dog is a regular visitor.

Its wiser, more knowing companions know it well. And they endure it with a bedrock truth that its effect on them is just a spell. A “spell” that is something they are under the influence of but also a “spell” that is something that will go away with time. They will eventually “come around” but certainly can’t “snap out of it.” But after many years and many visitations, they never do really overcome it as much as they simply just endure. They often bravely forgo medication because it makes them robots, incapable of feeling anything at all.

But younger people, whose human spiritual development has been arrested because of this black dog, who perhaps don’t have the spiritual armor against it, who perhaps don’t have supporting figures in their lives, who are misunderstood, who are self medicated, seeking solace, who have been victimized, whose failure to thrive proceeds for decades, for these sons and daughters the black dog’s visitation is most delicate and critical. They forgo medicine for ego, convinced nothing is wrong.

I have so much empathy for them all. To help me cope with this, I made “betty and the black dog.” Beware the black dog brothers and sisters.

3 thoughts on “On ‘betty and the black dog’”

  1. Romy Kaye says:
    January 30, 2013 at 4:44 pm

    The black dog came to me in that terrible nightmare early Sunday morning. He is still here and he is hungry… apparently for chocolate.

  2. Mom says:
    January 31, 2013 at 1:13 am

    The Black Dog is part of your family— going back as far as the “Flying Monkey” and 2 crazy Uncles” etc. on the Maternal side. On the Paternal side… suicide, alcoholism and drug addiction. Your Momma Loves YOU

  3. rickngentilly says:
    February 10, 2013 at 11:06 pm

    emerse your self in leadbelly music to remind you that some one had it worse than you. take a deep breath and enjoy your joys. art comes from bad and good times. no shame in that game. and finally keep the straight razor away from your ear , it’s been done. good luck pal.

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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