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Funky Meters

Posted on October 24, 2006 by Varg

Originally published Nov. 9, 2005

Seems there is quite a hullabaloo going on in the Quarter and a few other neighborhoods in the city about the recently installed electronic parking meters. You know, the kind that brought parking into the 20th (not 21st) Century by allowing for credit card payments and such? No more fumbling around in your pockets for change or digging underneath your seat to get a few extra minutes. No more buying a 25-cent pack of Big Red just to get some change from an indifferent store owner. Sounds great right?

Not so fast.

According to a recent lawsuit filed against the city the meters were installed without notice or review and violate a law that states tickets can only be issued when a red flag is displayed on the meter. Since the new meters issue printed slips that indicate when time is up, issuing tickets based on those terms is said to be a violation of the law. Perhaps it is. But the real reason the lawsuit has been filed is because people think the new meters are ugly. The “red flag” part is just a device to have the city remove them. No boby really cares about the language of the law, they just want the ugly meters gone.

I happen to love the new meters. They have saved me on quite a few occasions because I almost exclusively carry credit cards and very rarely have two bucks worth of change on hand. They have never malfunctioned on me and I thought they were a step in the right direction. I welcomed them.

I’ll give it to people who oppose them that the meters could be a bit more aesthetic and frankly that’s about the only good thing that can come out of this entire mess – that the company that makes these meters can find a way to make them more aesthetic. Because, if the people who are suing get their way, the meters will be removed and any tickets issued while they were in use will be refunded. That’s just ridiculous and a huge waste of much-needed funds that could go elsewhere (and no, I don’t mean into the hands of crooked politicians).

The city planned for ten years to have these meters installed. God knows at what cost of management, workload, materials, studies and manpower. Also, the machines cost around 7,000 bucks a pop which I don’t think ACS State and Local Solutions is likely to just refund. Then there is also the amount of money that is going to be needed to have these new meters removed. Then there is the amount of money that will be needed to install new meters. I mean new-new meters or, new-old meters, I guess.

Anyways, I’m sure it will add up.

A story written by Mary Foster of the Associated Press and posted on Nola.com on July 20 quoted a man named Chris Sharkey stating that he didn’t think the new meters were that convenient either, mostly because they don’t take bills. While I agree with Sharkey that the new meters should take bills, I disagree with him when he says they aren’t convenient. They are considerably more handy than the old “Cool Hand Luke” style meters we had before. As I stated above, change is not always available so having an extra option is always nice.

Also, the new meters are solar powered and THAT’S cool.

I think what is really at the crux of this whole mess is that the city didn’t ask anyone before installing the meters. At least that is what I am gathering from the language being bandied about in the papers. Like a supervisor that somehow gets skipped in the chain of command, people just want to know what’s going on. I don’t blame them for that.

What I can blame them for is being quick on the draw to fire off a lawsuit that will: 1.) Waste money needed for a myriad of other projects throughout the city. 2.) Reverse ten years of work and planning. 3.) Reduce the number of options myself and other New Orleanians will have at when we are trying to park in the Quarter.

The logical conclusion to this mess will be for the city to attempt to make the new meters more aesthetic. They should do this with the cooperation of the citizens who have voiced concerns about the current meters and then, hopefully, both sides can reach a compromise.

Replacing the meters shouldn’t even be on the table. There are much bigger fish to fry in New Orleans. And everybody can think of at least one I’m sure.

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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