Skip to content

Menu
  • Corrections
  • Enemies of the State
Menu

Po Boys and Baby Boos

Posted on March 24, 2011 by Varg

Out on Jackson Square, every artist is a CFO for their little business. The demand is there, ready and willing. The artists’ responsibility is to provide it with the supply. For some artists, this is easy. The supply is fleur de lis or jazz players under lamp posts. You will see these two images repeated constantly not only in the Square but also throughout the French Quarter. These items sell no matter what. They are the underwear and athletic socks of art in New Orleans. Always a demand for them. So for certain artists, the challenge is not the subject matter but the quality, style and presentation of it. How are they going to produce a lamp post and jazz man that is different from the dozen or more others on the Square? Their worry is that some tourist will prefer the color choices or brush strokes of another artists’ jazz man over theirs. The law of averages dictates that there will be a split that isn’t always even.

For myself, for my friends in the Club du Decatur and for many of the more unique artists out there, the challenge is different. We must create art that contains subject matter that is both fulfilling of our larger unique style yet also generates income to pay the bills. To do this, many of us make what are called our “baby boos: (singular, “baby bu”). Boos are small, luggage-sized representations of larger pieces that we have for sale. Al large 2×3 painting draws the client in and the baby bu leaves with most of them. Occasionally, the larger pieces sell as well. This combination of boos and larger pieces represent the simple economics of many artists on the Square.

Recently, a friend of mine finally found her niche among the boos. She began selling a dozen or so boos a day and was having some sucess at managing the time she spent on them vs. their value to the clients. She was consistently selling them at a decent price and was considering raising the price to generate more revenue.

“What are you going to add to them?” I asked.

Reason I asked was because I have had a couple increases in price of my boos in recent years and each time, I gave the client a little something extra for their financial commitment. It seemed like good business. Even though many of the clients we sell to won’t see us again, some do. And what would I tell that client who bought a boo back in April and came back in October to buy three more for her friends only to discover the inflation? Well I say, “Now they have a clear coat applied to them and the edges are stained.”

This way they won’t feel like I did when I found out Discover had raised my interest rate 5 percent for no other reason than it being “a decision that was made company-wide.” I since switched companies.

So what does all this have to do with po boys? (Or as the vexatious Tom Fitzmorris calls them “real New Or-lee-ans poor boy sandwiches.”

Well, as we all know, a po boy can be found within a few blocks of anywhere here in New Orleans. Most commonly in the fried shrimp variety. Many corner stores have them and they are generally priced pretty damn low – the baby boos of New Orleans cuisine. It’s an exquisite part of living here. These po boys aren’t anything special unless you consider delicious special. What I mean is, they are awesome but common. There is a place up the road that sells 16-inches for like $5. That’s a true po boy.

So that’s the standard for me now. I hold every po boy up to the standard of quality and price that my local corner store has dictated. If more is expected to be paid, more should be delivered. The reason this has come up is because I was at a local restaurant on the Best side of the river recently and they were asking $10.50 for a standard shrimp and oyster po-boy. Okay, I understand, times are hard. But where is the clear coat and stained edges on this baby boo?

Now there are po boys in town that are well worth 10 bucks or more. Ye Olde College Inn has one. Liuzzas has one. Parkway Tavern has one. Napoleon House has one. But these sandwiches are special. They have earned their price. There should be no reason why a standard, dressed, fried shrimp po boy should cost over $10 while the corner stores are still doing them out for less.

Drizzle something on it if you want to charge that much.

Leave a Reply

Your email address will not be published. Required fields are marked *

Recent Comments

  • Varg on There Comes A Time For Empathy…
  • Edie on There Comes A Time For Empathy…
  • Tim on Dear Doris,
  • Momma on Dear Doris,
  • Romy K. on Dear Doris,

Nola Blogs

  • 2 Millionth Web log
  • 504ever
  • American Zombie
  • Annunciation
  • b. rox
  • Bigezbear
  • Cliff's Crib
  • Dispatches from Tanganyika
  • gris-grits
  • Hurricane Radio
  • Library Chronicles
  • Liprap's Lament
  • Minor Wisdom
  • Mosquito Coast
  • New Orleans Slate
  • Nola-dishu
  • Note From the Book
  • Pistolette
  • prytaniawaterline
  • Slibolala
  • sucktheheads
  • The G-Bitch Spot
  • There's N.O. Place Like Home
  • Toulouse Street
  • Whalehead King
  • Your Right Hand Thief

Nola Ex Pats

  • Maitri's VatulBlog
  • Ray in Exile

Nola Group Blogs

  • Back Of Town
  • Humid City
  • New Orleans Met Blog
  • Nola Rising

Nola Inactives

  • AnimaMundi
  • Art By Mags
  • Ashley Morris
  • HammHawk
  • m.d. filter
  • Moldy City
  • Some Came Running
  • spoke the cat
  • the garden of irks and delights
  • Tim's Nameless Blog
  • tin can trailer trash
  • Tour of Beauty
  • We Could Be Famous

Nola Media Blogs

  • Blog of New Orleans

Nola Orgs

  • Friends of the Lafitte Corridor
  • Levees.org
  • Silence is Violence
  • Voice of the Wetlands

Nola Region

  • CenLamar
  • Forgotston
  • PawPaw's House
  • Thanks, Katrina
  • The Daily Kingfish
  • Wounded Bird

Nola Saints Blogs

  • Canal Street Chronicles
  • Chef Who Dat
  • Moose Denied

Categories

  • Algiers (16)
  • Art (16)
  • AV (51)
  • Beta (3)
  • Blogspotting (44)
  • Carnival (21)
  • Commentary (22)
  • Diatribe (2)
  • Enemies (5)
  • Ent (17)
  • Fest (5)
  • Food (2)
  • Free (5)
  • Haps (202)
  • Humanism (2)
  • Jax2 (19)
  • Journal (1)
  • Langniappe (23)
  • Leak (17)
  • Letters (19)
  • Liens (41)
  • Lit (6)
  • Madness (46)
  • Meanderings (78)
  • Memo (6)
  • NOMOs (4)
  • Plug (14)
  • Q&A (1)
  • Saints (70)
  • Self Important (4)
  • Sermons (11)
  • Storms (23)
  • Tide (16)
  • Treme (2)
  • Uncategorized (2)
  • USA (27)
  • V.V.F.C. (1)
  • Witness (1)
  • WTF (14)

Archives

  • August 2021 (1)
  • July 2019 (1)
  • January 2017 (4)
  • April 2016 (1)
  • June 2015 (1)
  • March 2015 (1)
  • January 2015 (2)
  • November 2014 (1)
  • October 2014 (1)
  • August 2014 (1)
  • July 2014 (1)
  • April 2014 (1)
  • February 2014 (3)
  • January 2014 (2)
  • November 2013 (1)
  • October 2013 (2)
  • September 2013 (1)
  • June 2013 (3)
  • March 2013 (1)
  • January 2013 (3)
  • December 2012 (2)
  • November 2012 (3)
  • October 2012 (2)
  • September 2012 (2)
  • August 2012 (4)
  • July 2012 (5)
  • March 2012 (3)
  • February 2012 (3)
  • January 2012 (3)
  • December 2011 (4)
  • November 2011 (6)
  • October 2011 (6)
  • September 2011 (6)
  • August 2011 (9)
  • July 2011 (13)
  • June 2011 (5)
  • May 2011 (10)
  • April 2011 (8)
  • March 2011 (8)
  • February 2011 (8)
  • January 2011 (6)
  • December 2010 (10)
  • November 2010 (12)
  • October 2010 (9)
  • September 2010 (17)
  • August 2010 (13)
  • July 2010 (19)
  • June 2010 (18)
  • May 2010 (15)
  • April 2010 (2)
  • March 2010 (7)
  • February 2010 (5)
  • January 2010 (12)
  • December 2009 (9)
  • November 2009 (11)
  • October 2009 (6)
  • September 2009 (11)
  • August 2009 (13)
  • July 2009 (8)
  • June 2009 (7)
  • May 2009 (8)
  • April 2009 (11)
  • March 2009 (13)
  • February 2009 (6)
  • January 2009 (12)
  • December 2008 (14)
  • November 2008 (16)
  • October 2008 (12)
  • September 2008 (21)
  • August 2008 (25)
  • July 2008 (7)
  • June 2008 (12)
  • May 2008 (10)
  • April 2008 (18)
  • March 2008 (10)
  • February 2008 (14)
  • January 2008 (19)
  • December 2007 (9)
  • November 2007 (13)
  • October 2007 (17)
  • September 2007 (17)
  • August 2007 (26)
  • July 2007 (22)
  • June 2007 (22)
  • May 2007 (16)
  • April 2007 (15)
  • March 2007 (15)
  • February 2007 (15)
  • January 2007 (26)
  • December 2006 (16)
  • November 2006 (22)
  • October 2006 (15)

3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

© 2025 | Powered by Minimalist Blog WordPress Theme