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This Weekend at the Square

Posted on November 9, 2010November 9, 2010 by Varg

A few notes from this weekend at the Square…

Protest V Protest
Saturday afternoon there was a protest in front of the cathedral by the one-and-only Westboro Baptist Church. They had their “God Hates Fags” signs out and everything. There were about six of them. Next to them was a counter protest of maybe 12 – 15 emo-type kids (one of whom bought a piece of art from me). Facing both groups were four NOPD officers on horseback. There was a crowd of 40 or so onlookers just checking it out.

The Baptists were there to protest the Catholics, calling them molesters and rapists and such. I thought the emo kids and the Bishop being on the same side was quite amusing. When the Baptists began their protest, the emo kids began to shout over them and there was a large cacophony of shouting until the Cathedral came in and showed them all what was up by ringing its bells for 5-minutes straight.

Gutter Punk Assimilation
Last week, a fellow artist and friend, Josh Duncun started talking to a forlorn and road-weary young kid with a ukulele who said he was missing his traveling partner, a girl dressed as Capt. Jack Sparrow who hitched with him to New Orleans from Oregon. They were separated during the Halloween parade Saturday night and he still had not found her Sunday morning after all the insanity of Halloween night. The kid asked us to keep an eye out for a girl fitting her description. I opined that perhaps this girl didn’t want to be found because the kid seemed a little needy and clingy. Josh even stated he saw him crying.

That afternoon, Josh found a girl fitting her description and got her to stay at our spot until the forlorn kid showed back up. She told us of her wild night making out with lesbian gutter punks and ending up in someone’s luxurious apartment sleeping on the couch. Eventually her road boy showed back up and this joyful reunion took place. Then he played us a song on the uke and they left together.

I saw them again this weekend and both of them had been fully assimilated into the Gutter Punk Borg. They were both rolling with a large group of street urchins clad in rough brown Earth tones towing malnourished pit bulls.

The PM at JAX2
Protesters interrupt Netanyahu New Orleans speech

NEW ORLEANS — Hecklers interrupted Israeli Prime Minister Benjamin Netanyahu’s speech to a prominent American Jewish group on Monday, the same day his government said it would move ahead with hundreds of new housing units in disputed east Jerusalem.

All that excitement must have gotten Ben in the mood for a Lucky Dog beignet because he showed up on Decatur a little while later with something close to eight Secret Service looking guys in tow. I was sitting there in front of the gate and saw these guys wearing suits and sun glasses and little things in their ears, looking all around, talking into radios. I thought I was part of a flash mob or on Trigger Happy TV or something. These guys looked less like Secret Service agents and more like guys acting like Secret Service agents. They drew a ton of attention to the fella they were protecting who otherwise just looked like a foreign tourist in the Quarter.

The Prime Minister was strolling among them and I didn’t even recognize him. If I did I would have mentioned that I interviewed his brother Iddo a few years back about Operation Entebbe in which their other brother Yoni was killed in an otherwise brilliant rescue of hijacked Jewish hostages at an Ugandan airport terminal. How much would my fellow Jackson Square artists and buggy drivers have been freaked out to look up and see Varg straight chatting up the fucking Prime Minister of Israel with Secret Service agents surrounding them? That would have been awesome.

Netanyahu’s arrival bizarrely coincided with the collapsing of one of the balloon men and the arrival of an ambulance to haul him away and the climax of Dragon Master Showcase at Washington Artillery Park and a chorus of “Who dats” after the Saints’ victory.

So for a few moments there was a lot of shit going down. I had consumed a few beers watching the Saints destroy Carolina at a Daiquiri Shop and then celebrated with an Abbey Ale so I was thoroughly enjoying everything in spite of making pretty pitiful money that day. That’s the thing about being out there in Fall, Spring and Winter. Even if you don’t make any money, you can still enjoy yourself by kicking it with your fellow artists and just watching New Orleans do its thing.

3 thoughts on “This Weekend at the Square”

  1. liprap says:
    November 9, 2010 at 1:32 pm

    You shoulda chatted up Bibi, dude, if you’d recognized him. I’m sure he woulda loved reminiscing about those times.

  2. Varg says:
    November 9, 2010 at 1:59 pm

    I know. It would have been awesome just for the look on the faces of my co-workers. Alas, I didn’t know he was coming. Would have walked right on by if not for the security. I know he was the guy they were protecting but not that it was the Prime Minister.

  3. rickacrossdariver says:
    November 10, 2010 at 7:39 pm

    as lou reed said.

    such a perfect day.

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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