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Rules of the Road Follow Up: ‘Ripping up Decatur Street’

Posted on October 12, 2010 by Varg

I touched briefly in my post yesterday about the sanctimonious, arrogant and hypocritical behavior of many bicyclists around town. It was a bit of an abstract concept and really hard to prove in any sort of way but I wanted to suggest that the bicyclists themselves often put themselves in as much danger as careless drivers do.

Fortunately, I did a short search on the Internet and found a number of videos that depict this notion much more accurately than I ever could.

The person responsible for the videos routinely bikes through the Quarter, often down Decatur St, running red lights, crossing the double yellow line and narrowly avoiding pedestrians in crosswalks, including, yes, our little snowflakes, the children.

WARNING! WARNING! BEFORE WATCHING THIS FIRST VIDEO PLEASE TURN DOWN YOUR SPEAKERS AS IT HAS A SOUNDTRACK BY LIMP BIZKET!

Points of interest in this first video are:

At:45 Cyclist does not yield to pedestrians in crosswalk

At 1:06 cyclist runs red light and misses pedestrians in a crosswalk at an intersection he states in another video is the busiest in town for pedestrian traffic (St. Ann at Decatur in front of Cafe du Monde)

At 1:20 Cyclist runs red light

At 2:21 Cyclist runs red light

At 2:30 Cyclist runs red light

At 3:18 Cyclist runs red light

Pay close attention to the boondoggle at Canal and Claiborne…

New Orleans Bicycle Commute 07-16-2008 from Joey Brooks on Vimeo.

After counting the moving violations in this video I came upon another video where its creator went ahead and did it for me, seemingly boasting of his violating of the road rules or, in his own words “easily count how many stop signs and red lights I blew.”

You can watch the whole thing or I can save you the trouble and say that at the end of it he does some simple math and estimates to have blown 4500 stop signs and red lights in a year’s time.

NOLA MVC (Moving Violation Count) from Joey Brooks on Vimeo.

Here he visits French Quarter Fest and can’t figure out why anyone would be in a car in the Quarter during the event. I am guessing he doesn’t see that a festival like that requires some degree of traffic to facilitate the people who work there and the transportation of sausage, equipment, performers, ice, police, art, clothes and everything else.

French Quarter Fest Mayhem from Joey Brooks on Vimeo.

So what I’m asking is, would bike lanes really matter to this gentleman or anyone like him? Would they use them at all? I’m not against bike lanes at all. But I am for bicyclists realizing they share the road with cars and especially pedestrians.

I know there are many safety-minded cyclists out there who may not want to be lumped into a category. To them I say, make sure your fellow bikers follow the simple laws of the road and you wont be.

3 thoughts on “Rules of the Road Follow Up: ‘Ripping up Decatur Street’”

  1. Kelly says:
    October 12, 2010 at 1:08 pm

    I don’t mind sharing the road with bicyclists, it’s the sidewalks that I have a problem with.

  2. S Harney says:
    October 12, 2010 at 1:42 pm

    I bike every day to work from LGD to the ferry and back. On the way home I typically ride down neutral ground to Magazine and then home. It just feels safer to take the center with the volume of traffic. Magazine from downtown to the LGD is wide enough and okay. It always amazes me though how many people just blow through the stop lights as I’m sitting there on the right with a line of cars. My take is pretty similar to yours. Cars can hurt you. respect them. Sometimes it’s best to let the wookie win.

    I’ve experienced a few cars that are either deliberately ignoring me or the driver is on the phone (more typical). By and large though, it works pretty well and people don’t have to swing wildly away from me to pass. I’ve even gotten an apology when someone cut the bike line on Mag forcing me stop and cut around. If you ride with some basic sense and respect and communicate clearly most people in cars seem to respect that just fine in this city.

  3. togakangaroo says:
    October 22, 2010 at 12:07 am

    Umm…why don’t car drivers make sure that other car drivers are following the rules too?

    Your point is well made and well taken right up to that bit at the end. What exactly does that mean?

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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