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Less Lying or More Firing?

Posted on August 31, 2010 by Varg

Serpas takes hard stance against lying in plan for NOPD

A question I wanted to ask Chief Serpas on Saturday at Rising Tide was in reference to his “You Lie, You Die” policy toward the department. Just wondering if the end result will be more firings or less lying?

I think it depends a lot on Serpas’ level of respect within the department and how swiftly the rule is enforced when the first few instances come up. Will it be zero tolerance? How will mistakes be separated from lies? If an officer mistakenly writes “Opelousas and Verret” whn it was really “Opelousas and Vallette” will it result in him being shitcanned? Or will it be done on a case-by-case basis perhaps resulting in popular, well-liked members of the department will get special treatment?

It also depends on how brazen the corruption is within the department. As we have begun to see from the reports following Katrina, it is systemic and widespread. Saying nothing of the

Unfortunately, the public demands measures like these. They spell things out for them in terms they can easily understand. Even I have to admit if Serpas said, “We will be examining reports with greater scrutiny and lying on a report could be cause for termination,” doesn’t sound as cool as “You lie, you die.”

Another problem with enforcement of such a rule is it is reactive rather than proactive. It puts brass a few steps back from where the corruption is. The Corruption has to occur before it is detected. Another question for Serpas is, “What is being done to prevent lying on reports in the first place?”

It’s as if rules within the department are mimicking rules of society, we are becoming obsessed with laws, enforcement and punishment. Root causes like education and poverty are just tossed aside and thought of as novelties that we could have taken care of years ago but the problem is so bad now we need to lock them all up. It’s “a war.”

Also, let’s look at why a cop may falsify a report? Perhaps as a means of covering up some offense committed on the job which he or she may face termination for in the first place? It’s like falsifying a resume: If they call to check, you don’t get the job. If you don’t lie about your experience, you don’t get the job. Or perhaps when Nagin deleted his e-mails. What’s more damning, deleting the e-mails or someone finding what is in them? Wouldn’t a crooked cop be better off being fired for lying on a report than say, kicking the crap out of someone or sprinkling some crack on a kid?

Then there is the matter of experience and attrition. Serpas has said there will be emphasis on recruit training with help from the State Police. Excellent. Inexperienced police are easily overwhelmed, make mistakes, create “misdemeanor murders.” If, “You Lie, You Die” does create a glut of firings and as a result, new recruits, consideration to the training and experience of these new officers should be a priority. This story from a few years ago leaps to mind. Then I remembered this one too.

This all sounds like an indictment of “You Lie, You Die” but it isn’t. Nobody wants crooked cops falsifying reports. It’s unfortunate I have to clarify that but it seems a typical response would be, “You must want crooked cops on the force!” That’s not it. I just want to examine the effectiveness of the new rule and I hope it’s not going to be the cornerstone of the department’s restoration. It seems like it could be a good tool if used effectively but the potential for abuse could make it a tool for corruption it is trying to bust up.

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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