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Hello Kristin Palmer!

Posted on July 20, 2010July 20, 2010 by Varg

Hello Kristin Palmer!

Congratulations on your election to the District C city council seat earlier this year! That’s how many in a row for Algerines?

My name is Lance Vargas and I am a found object folk artist, blogger and registered voter in your district. I am writing about a problem intersection in our district, Mardi Gras Boulvarde and Whitney Avenue. An image of the intersection is included in this e-mail. Google thinks the road is called Bringier but no one I know calls it that. Everyone just says Mardi Gras Blvd.

The issue with this crossroads is it’s the intersection of two four lane roads yet it is an all-way stop. As we all know, the law requires that the first vehicle to arrive at an all-way stop sign has right of way to proceed through the intersection. If two or more vehicles come to the intersection at the same time, each vehicle must yield to the car to his or her right. It requires a little bit of knowledge and judgment on behalf of the driver, more so than if there were a traffic signal at the intersection (cars would proceed when the signal was green), or if there were a stop sign at only one of the two 4-lane roads (cars would proceed when the roadway was clear).

The issue with this 8-lane intersection is it is harder to calculate who arrived at the intersection first when the driver has to pay attention to six other vehicles approaching the intersection. At a 4-lane intersection, it is easier to deduce who arrived at the intersection first because there are only three other vehicles to watch. With six, it is twice as hard to determine. This intersection is the only one I have every seen where there is an all-way stop for two 4-lane roads.

Further complicating matters is the amount of large vehicles that use these intersections. With the construction of both Federal City and L.B. Landry High School and the future expansion of the LSPCA and any other development that may be in store for Algiers (you probably know more about this than I do), the amount of large vehicles in addition to the bus traffic (I know of two transit lines that come through, “The Loop” being my favorite) there will likely be heavy use of the intersection for the foreseeable future. As these vehicles slowly make their way through the intersection, it is harder for drivers to see what the cars and motorcycles in the lane beside and behind them are doing. How would a driver know if a car arrived at the intersection before them if they never saw because a truck was in the way?

It should also be said that the intersection is wider than normal. Both roads are close to “Canal Street wide.” Whitney Avenue has a very large, grassy neutral ground as does Mardi Gras Boulevard. So it is that much harder to see what is happening across the way. Especially at night or in the rain.

I know before the storm there was a two-way stop sign there. If I remember correctly, the traffic on Whitney had the stop sign and traffic on Mardi Gras Blvd. was unimpeded. Then I presume the storm blew down the stop signs. A temporary all-way stop was put there and was then made permanent. That was the mistake. Hey, it was in the months following the Flood. Who can blame them? I know I was going craaaaazy (back on my meds now).

Check this out though, at the intersection of Nunez and Mardi Gras Blvd. further toward the river, there is only a two-way stop and traffic proceeds unimpeded into Gretna (a.k.a. ‘the Home Depot Trail’). This is the how the Whitney / Mardi Gras intersection could be.

I foresee a bit of a problem at the onset of the change as drivers adjust to it. This is why I recommend a traffic signal instead of just a stop sign. I know we have a budget crisis and they are more expensive but Federal City is supposed to bring 10,000 jobs to Algiers, many of these workers may choose live over the river (I don’t know why they would want to) and would use this intersection every day. Also, school-age kids from the Fischer Development on Whitney will be driving, walking or bussed to the new L.B. Landry High School and will use this intersection. So for the sake of new drivers, bus drivers and pedestrians, it may help for the City to step up and make life easier on them.

But if the budget does happen to be an issue, you may want to talk to whomever has the district that contains the intersection of S. Claiborne and Earhardt over the River. Because there is a light there where it isn’t needed. I am sure if S. Claiborne didn’t dead end there, a light would be needed but it does and the light is still there like some remnant of an era before the Superdome. So have some crews pull those out and bring them on over to Algiers and take our stops signs and put them at that intersection. That should help with the cost of materials.

You may also be able to pay for the light by putting one of those red light cameras there. People would be so confused at first it would be like installing a video poker machine! I’m kidding of course.

Fortunately, the problems caused by the intersection aren’t necessarily dangerous in nature, I’m mostly seeing fender benders, confusion, congestion and maybe some road rage. But it would be prudent for the city to correct the mistake made after the storm before traffic at the intersection increases.

I remember how frustrating it used to be to have to navigate this intersection before the morning commute. It was like an appetizer for the ensuing headache of bridge traffic! Man, I’m glad I became a folk artist! No more daily commute for me!

Anyway, just trying to help. I think a change here would be a logical next step.

Stop by and see me on Jackson Square if you ever need some folk art gifts for friends and family. I’m there on Saturdays. I’m the salvaged wood guy. The carved salvaged wood guy not the guy that paints on it. And not the bas relief carver but the abstract figures carver.

Sincerely,

Lance “Varg” Vargas

P.S. I am posting this letter and your response on my blog thechicory.com.
P.P.S. Say hello to Arnie Fielkow for me, he helped me out a while back with some street lights when James Carter ignored my e-mail.

1 thought on “Hello Kristin Palmer!”

  1. RoRo says:
    July 21, 2010 at 1:26 pm

    As a daily commuter who drives this route every weekday, I agree that the intersection is often a real mess – and very frustrating to navigate. I personally find red light cameras offensive, but a stop light here would be a quick fix to a potentially dangerous intersection (especially once L.B. Landry High School reopens and lots of students will be in the area.)
    Thanks Varg and thanks Ms. Palmer!

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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