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Wait For It…The Race Card!

Posted on March 30, 2007 by Varg

After reading Jarvis DeBerry’s recent editorial I have to say I agree with him on most points. Then he pulls out the race card out at slaps it on the table.

I think it’s been forced into the ground that Ralph Lupin made a mistake and should feel embarrassed by his own actions. I myself have had more than my fair share of fun ridiculing a man who has accomplished more in his life than I have. But when someone attempts to force the comment into a racial one, as DeBerry did in the closing paragraphs of his commentary, then they should be embarrassed as well, embarrassed for diluting the serious subject of racism.

It wasn’t a racial comment. It wasn’t. Sorry. There are dozens of other words Lupin could have chosen if he was attempting to single White out for the color of her skin rather than the content of her character. It was probably a little sexist, and certainly stupid.

DeBerry can use VH-1 and Amos ‘n’ Andy as his references all he wants to but they don’t hold water. One may even go so far as to employ many different hip-hop artists who use the word as both of term of defamation and affection. But all that is beside the point.

If Mr. DeBerry has a problem how black women are depicted in American culture he should address those depictions directly in his writing. Instead, he is using them as an instrument to make his case, thus proliferating them. Something wrong here?

I use the word a lot. I see some of my female friends and say, “you bitches are crazy” or “bitch please” or “that bitch doesn’t know what the hell she’s talking about.” And all these girls are white. The use of the word should be judged on a case by case basis and in this case, Lupin employed it to mean obstinate. He even used the word “obstinance.”

And what’s up with DeBerry admitting that if Lupin had called a white or Asian woman a bitch he wouldn’t have been upset? Isn’t that a racist statement?

If you need to know why many people are beginning to recognize the race card is often utilized for political rather than social advancement, look no further than Deberry’s asinine ending paragraphs.

Look, racism exists in America. It exists in the South and it exists in New Orleans. It needs to be addressed by blacks and whites. But every time it is used in the manner that DeBerry used it in yesterday’s paper, it just weakens the cause when it truly does rear its disgusting head. And it widens the chasm between all of New orleans communities who should be working together to rebuild the city they all love and cherish.

2 thoughts on “Wait For It…The Race Card!”

  1. jeffrey says:
    March 30, 2007 at 11:19 am

    Typical DeBerry. He’s always been a Nagin apologist for what can only be described as (woefully misguided) racially based reasons.

  2. bayoustjohndavid says:
    March 31, 2007 at 4:02 pm

    I remember once when I was twelve years old I called my sister a bitch, she pulled out a copy of “Gone With the Wind” and predicted that in a few years there would be this TV series called “Dynasty.”

    DeBerry really is a shameless hack. When I criticized some of his columns in the past, I was hesitant to call him lazy because of the racial stereotype (well, I did say that some of his factual errors either showed laziness or dishonesty), now I feel like any criticism of DeBerry is fair game.

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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