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Popular Mechanics and My Pants

Posted on June 18, 2010 by Varg

Saw this in everyone’s favorite magazine next to National Geographic, Popular Mechanics…

How Unleashing the Mississippi Could Protect the Louisiana Coast

Last week, G. Paul Kemp, a former professor of marine science at Louisiana State University and current vice president of the National Audubon Society’s Louisiana Coastal Initiative, sent a memo to the Environmental Protection Agency proposing an additional strategy, which calls for using upstream dams to increase the flow of the Mississippi River into the Gulf. Kemp says the river is “the biggest tool in the toolbox” when it comes to keeping oil out Louisiana’s swamps and marshes, which make up nearly 40 percent of the nation’s wetlands.

The water level can be raised using large concrete dams, called the Old River Control Structure, which sit 315 miles upstream from the river’s mouth. These dams, which are maintained by the U.S. Army Corps of Engineers, control flow between the Mississippi and a smaller tributary to the west called the Atchafalaya River. Usually, they direct about 70 percent of the water down the Mississippi, with the remaining 30 percent diverted to the Atchafalaya. Kemp’s plan calls for a gradual daily increase in the amount directed to the Mississippi, so that over the course of 10 days the river’s proportion would increase to about 81 percent—maintaining the approximate level of the river in May. He is also looking into manipulating additional dams even further upstream.

Sounds great but I am usually shitting my pants all through April and May when the river is at its highest levels for fear my lil house is going to wash away. I guess I need to get diapers because I seem to be in a constant state of shitting my pants here in lovely Care Forgot.

2 thoughts on “Popular Mechanics and My Pants”

  1. rickacrossdariver says:
    June 18, 2010 at 3:42 pm

    when i lived over there in the 80’s the algiers river levees seemed to pretty fortified.

    is that still the case?

  2. Whalehead King says:
    July 1, 2010 at 10:08 pm

    I’ve been reading recently about how and why this system was put in place. Not sure about the ramifications but I see the logic of thinking of the Mississippi River as the biggest tool in the box. One to be used with caution. “Using” the river as a tool though demands a bit of hubris, as much as “taming” it does. There will always be unexpected consequences.

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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