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Carnival 2007: Chaos, Muses, Hermes, D’Etat

Posted on February 17, 2007 by Varg

Thursday, Feb. 15

Myself and some of the KoPs (Krewe of Pacific) were at Lafayette Square and had easy beer and bathroom access. It was a tad cold though, and breezy. Wind chill took it down a few dozen degrees. Even the painted nipples were hard.

We started off the night with the Knights of Chaos and I caught a whoopee cushion that went along with their theme of Chaos Breaks Wind. This was a fun parade and we all got some good laughs at the floats and satire.

Then came Muses and we got a little crazy. The city neglected to close the barricade at the square so we were able to get really close to the floats and holler for throws. I just screamed “Muses! Muses!” and jumping up and down. My houndstooth hat fell off at some point and some nice folks found it for me later.

I will never get tired of that fiber optic shoe.

We screamed our heads off for The O. Perry Walker band and I got a good picture of one of their bass drummers and another of the color guard.

Everybody got the throws they wanted. My neighbors across the street were old pros and got them with ease. I had to do seven types of theatrics to get mine. I did alright though.

The muses were of course gorgeous and so very witty.

Friday, Feb. 16

The next night, the KoPs took a break but I went out solo to see Hermes and D’Etat. Told you I was hardcore.

I found good parking and went back to the spot we were at the night before.

For Hermes, I got next to a family with a bunch of cute kids and got maybe five big pink ones in a row. Then I filled up with all kinds of doubloons and beads and was really overloaded. I even got a Hermes football but at the end of the parade I gave it to a kid in the family who had been screaming for one the whole time. He looked a little bit like Marques Colston.

For D’Etat, a man came up next to me and asked me where Camp street was. We got to talking and he said he had never been to New Orleans and had only been in the city for an hour and a half. I welcomed him and did my best to answer his questions about Carnival. I even expounded on a few things such as Flambeux and why the parades stop at Gallier Hall. He said he was only in town tonight and was leaving tomorrow to continue a cross-country trip.

D’Etat started and within the first few floats the girl next to me suffered a bad case of bead burn. You could plainly see the impression of the beads on her forehead. She had to ice it down even in the cold weather. By this time, the older man was totally into it and damn-near killing himself trying to get various throws. He asked me what he should do with all the beads and I said he may want to put some around his rear view mirror so everyone on the I-10 would know he was coming from Mardi Gras.

Then I heard a St. B’Nawd accent behind me saying D’Etat was her favorite and begging the Krewe for lit beads and getting denied. She was pulling the “I lost everything in the storm” card and it just wasn’t happening. Finally we were able to get her a really cool crystal throw that emitted light. She was pretty happy about that.

The older man was calling his kids and screaming, “I’m at Mardi Gras!”

I didn’t get any good skull beads like last year but I did get some fun throws and more doubloons to glue to my shed.

Not sticking around for Morpheus, I gave my best beads to the older man and said he could use them for various things on Bourbon Street if he wanted to get rid of them all.

On the way home I did see a float on the GNO going faster than I ever thought a float could. It was a strange juxtaposition seeing something that usually moved at about 4 mph hauling ass down the ramp at 40.

More posts soon.

Happy Mardi Gras yall.

1 thought on “Carnival 2007: Chaos, Muses, Hermes, D’Etat”

  1. booze says:
    February 17, 2007 at 10:34 pm

    bead burn sounds rough

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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