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Category: Jax2

Last Day of Spring on Jax2 or “A Futurist, A Conspiracy Theorist and Skeptic Meet in the Park”

Posted on June 21, 2011June 21, 2011 by Varg

I’ve forsaken Fridays on the Square. Last Summer, I used to make art on Thursdays outside, then spend Friday, Saturday and Sunday also outside selling the art in sweltering, humid conditions. Mondays would find a weakened and weary Varg watching DVDs of The Wire with all the curtains drawn and the AC blasting. Any thought…

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Curating the Culture of New Orleans

Posted on May 3, 2011 by Varg

How’s this for curating the culture of New Orleans? It’s a lady pushing a silver mannequin wearing what looks like a Mardi Gras Indian suit around Jackson Square in a wheelchair. I am assuming this is for tips. It could be just a feathery costume. If anyone can confirm or deny it’s an Indian suit,…

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A Social and Emotional Ecotone on Carnival Sunday

Posted on March 6, 2011March 6, 2011 by Varg

I woke up at around 4 a.m. this morning and couldn’t get back to sleep so I figured I’d head over to the Square and reserve myself a good spot. I have often described this time as an ecotone, a layering between two different social and emotional environments. One is the still awake, still spirited…

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The More Things Change…

Posted on November 30, 2010November 30, 2010 by Varg

What’s funny is that this is from 1975 and much of what is discussed is still the same… D. Nick: Fireman, Family Man, Artists’ Chairman Particularly this paragraph… Richard “Dick” Nick has to explain to artists such things as why they cannot hang their paintings over the storefront windows of the Pontalba Buildings, or why…

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A Mythic Creature

Posted on November 20, 2010November 20, 2010 by Varg

I have to get up at the bullshit hour of 4 a.m. to reserve my place at St. Ann and Decatur on Jackson Square every Saturday. Which means for the most part my presence on Friday nights is pretty scarce. There is not a lot going on at that hour but some nights, As I…

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This Weekend at the Square

Posted on November 9, 2010November 9, 2010 by Varg

A few notes from this weekend at the Square… Protest V Protest Saturday afternoon there was a protest in front of the cathedral by the one-and-only Westboro Baptist Church. They had their “God Hates Fags” signs out and everything. There were about six of them. Next to them was a counter protest of maybe 12…

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The Ecotone of Saturday Night and Sunday Morning on the Square…

Posted on October 26, 2010October 26, 2010 by Varg

Remnants of the previous night bleed through on Jackson Square Sunday morning… Images by Stuart South.

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These Hard Sundays

Posted on September 14, 2010September 14, 2010 by Varg

“For now, these hot days, is the mad blood stirring” – Benvolio, Romeo and Juliet Act III Scene 1 Sept. 12 This past Sunday was a hard day. And I have the heat and humidity to blame for it. The mules got called in. This happens when temperatures reach 95 and conditions are too hot…

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Dixie Brewery Painting

Posted on June 4, 2010September 14, 2010 by Varg

By my fellow Jackson Square arts Laura ‘Larry’ Welter. Holla back for details. 36″x48″ Oil $400

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3 Noble Truths

Know yourself. Know the Universe. Know yourself in the Universe.

Rev. Varg’s Artist Statement

Rejoice!

I say that a lot. I sign many pieces with it. I do this because I believe our lives are a true happenstance. A brilliant occurence from nothingness. We are so rare. We are so unlikely. And simply being born isn’t enough. From there we must survive, endure. So each morning, after our Sun departs and is reborn again. Please, for the sake of your ancestors and the Universe in general, hoist that cup of joe up and say, “Rejoice.”

Ours is a soulful existence. No matter how many McMansions, polyester fabrics, auto-tunes, modified foods and social networks we surround ourselves with, we are all still native, passionate beings made of ancient matter. We are organic and we have soul.

Wood also has a warm, soulful quality. Wood has a memory. It retains smells, traumas, events. It even has a calendar. This is why I have chosen it as my medium, for its old soul. I like to think the wood in my work is in its third incarnation. First a tree, then a home and now art. If you have a room that needs a little soul, get a piece. A room can never have enough soul.

My inspiration and subject matter comes from many sources, among them: Humanism, old ballads, trickster tales, flora and fauna, science, myths and folklore, stringed instruments, brass bands, amber spirits, lady vocalists, general relativity and quantum mechanics. Some of my pieces are there just to make a short, simple statement about what’s important in life. Some are more diffuse and abstract in meaning. A personal drama, an enduring line from a poem or novel, a poignant song lyric, the legacy of an important person, a fleeting thought … these are the subjects of my art.

I use hearts often because they are a very abstract way of depicting the human soul without also employing the very subjective human form. The symbolic heart is an apt representation for a person’s experience and essence. A body can immediatly conjure happiness, sorrow, youth, age, anger, bliss. These emotions can get in the way. Sometimes it’s simply about the experience.

I am the son of a sailor and a social worker, the grandson of a gypsy, a dancer and a nurse. I spent my youth moving from port city to port city, watching a lot of road go by and reading World Book Encyclopedia. After my parents settled down on the Gulf Coast, I was a miscreant youth, destroying cars and taking the wrongs things too seriously and the right things not serious enough. Eventually I began replacing my imagination with experience.

I will use any salvaged wood but prefer swamp cypress and longleaf heartwood pine.

I despise waste. Particularly the waste of organic matter. Trees are magnificent. They were here before we arrived and they’ll be around after we are gone. I’m making an effort to save as much wood as possible. Creating art is fun too. But beyond communicating with folks, but beyond making money ad providing for myself, beyond rescuing flooded parts, beyond reveling in the ethereal aroma of heartpine that hasn’t seen the light of day in 400 years, beyond all that, I am trying to make a simple comment on waste.

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